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ABOUT THE CREATIVE SAFETY

ABOUT THE CREATIVE SAFETY

One comment made me think about the problem, and I realized that this is quite massive , so I decided to devote a separate article to it.
As a rule, creative individuals are quite large complexes, for two main reasons, and sometimes a lot of additional ones. As children, they are rather timid, because, like old souls, they have drunk a lot and become indecisive. Young souls, on the other hand, have no idea what consequences they are causing, and therefore become quite violent with the insecure. The other main reason is that they must be similar to others, and old souls very quickly notice that they are very different from the vast majority, which gives them a complex that does not meet the standards. When they grow up and begin to be realized in some professional sphere, such gifts fly to the other extreme-they hang their nose to the sky. They begin to tell themselves that what they are doing for the elite, and everyone who does not share this belief, is profane. And because they can’t realize themselves without losing their self-esteem, they demean / devalue everyone whose level they can’t reach.
Thus, the world is filled with unrecognized poets, writers, artists, musicians, actors, scientists, in General, representatives of all types of creativity, whose main occupation is to convince others and themselves that they are not so bad, even on the contrary, genius. Of course, very often they have real reasons, because they feel the potential accumulated in them, but do not understand it because of their tendency to go to extremes. The higher Self, which regulates their energy potential, restricts it so as not to self-destruct by the extremes into which they fall, by the instinct of self-preservation. If they manage to balance and harmonize not only for the moment, but also as a permanent state, the Higher Self gradually opens the tap, allowing their potential to unfold and be realized. And the realized person does not demean / devalue others – he has a real self-esteem, not a fictional/imaginary one.
The main task of creativity is to elevate, inspire the masses, encourage them to evolve, but most artists lose their inspiration, striving to be correct (i.e., well. part of the herd) and become imitators, i.e., artisans who create according to some rules. And since acquisition is their main incentive, they tend to “tickle” the minds of as many people as possible in order to get the maximum profit. In this way, they deviate from their main task and create jobs that are harmful to society. Works that do not inspire, but suppress evolution. Here is a direct illustration of the destructive effects that arise from sad motives.

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